|Wow! This is one 'hell of a read.' Chase Raymond's The Ugly Inside introduces Jenica Aimes, a trouble teen. While the reader decides if they can relate to Ms. Aimes, they're blown into an alternate reality known as 'Leigh.' The crafted details, descriptions, and settings of this fantasy engulfs the reader. The craft of this storyteller leaves you wanting to read the next page. Mr. Raymond's writing skill immerses the reader into the story: watching the training sessions, experiencing the healing pools, feeling every blow of combat, and struggling to balance destiny.|
CAUTION: This book is addicting.
I can't wait until the next Jenica Aimes book is published.
This book is available online or in paperback on Amazon.comThe Ugly Inside: A Jenica Aimes Novel (less)
Wednesday, March 29, 2017
Sunday, February 26, 2017
"Shop the Competition," is a business term used to describe a method of learning what your rival does better. Reading enables a writer to recognize good and bad writing regardless of the genre he or she chooses to write.
Good writers broaden their horizons reading. They read everyday and anything they can get their hands on, newspapers, magazines, comic books, classic novels, anything in print or online. Writers plunge themselves in words.
Submerse yourself in Pulitzer Prize, New York Times, National Book Award books. Be bold, if a Nobel Peace Prize Winner for Literature appears in an English translation, read it. Follow the authors your audience reads. Expand your reading genres to spark your creativity and enhance your writing ability.
Reading what you write helps you learn more about your audience. It builds an inventory of good and bad writing. Exploring other writers in your writing genre sometimes reveals concepts and ideas you thought unique.
Choose books from the New York Times bestsellers (100,000+ copies sold). Extract what the public perceives as a good book. Wander through every book like an editor and a consumer. Discover how the author triggered your emotions and maintained your attention. Make note of the writing’s quality.
Writing is a skill, but a writer's output is artistic. Every piece of art compares itself with previous masterpieces. Writers need to shop the competition and read.
“If you don’t have time to read,
you don’t have the time (or the tools)
to write. Simple as that.” -Stephen King
Friday, February 3, 2017
Mr. Mesce defends an author's right to choose his words, phrases, punctuation, and sometimes sentence structure to move the plot. A storyteller reveals characters, settings, and emotions with words to take the reader deeper into a story. Examples from classic and current literature and movies explain how "telling" enhances the reader's or viewer's experience.
Rules guide a writer through the writing process. Style guides metaphorically act as a manual for new scribes. Grammar rules, punctuation, stylistic preferences of publishers are like the rules of the road. Following the rules keeps the driver safe. Writing rules present the author with a platform to begin a creative process.
Just like a good driver knows when to change lanes when anticipating trouble on the road. A creative writer adjusts his or her writing to hook the reader, to maintain emotional connections, and conclude with certainty. A driver makes a quick decision to safety. A writer breaks a rule for effect.
Now, (this is for my Critique Group) I'm not throwing out all the rules. I concede "breaking a writing rule" works only if it enhances the story. As my editor told me, "It's your story."
*Mesce, Jr., Bill, "What Do You Mean You Can't Do It?", The Writer's Chronicle. December, 2016
Sunday, January 15, 2017
Let me first state, when I worked in the corporate world all employees had to write goals and create cognitive statistics to support their contributions to the company's bottom line. It was easy to do when you wrote policies, procedures, newsletters, manuals, and training materials. Your work was a commodity and it was valued. You felt successful.
Today I write poems and stories. I live with pencil, paper, and "Siri." They serve as vaults for my spontaneous ideas. I write for nonprofits, write not one, but two blogs, and have a presence on several social platforms. Yet when someone meets me and asks "What do you do?"
I answer, "I'm a writer."
They respond, "What books have you published?"
I stand back, smile. and say, "In due time, books are a process."
Either they change the subject or I do.
Think about this my writing colleagues. Is writing only judged by 'published books?' Tell me, is this the only way individuals see a writer? It really astounds me that my blogs and my volunteer publications aren't considered writing. Will I become a writer when a small section of my work is available on Amazon or at the local book store?
Many talented, bright, and creative individuals write with passion and commitment. They work full time jobs and maintain relationships. They find those precious calm moments and write. They submit their work to literary magazines, agents, and online publications.
Readers, please help me here. How do you describe "success" as a writer?
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